'ELVIS: Mercury Ballroom New York'

The 1972 Press Conference

The Way It Was - and How It Is Today.

Spotlight - By Arjan Deelen - 2019

“First of all, I plead innocent of all charges!”...

Elvis is no longer with us but his spirit lives forever. Elvis fans always discover something quite magical when they get the chance to “Walk-a-mile-in-his-shoes” or at least stand in the same rooms and places that Elvis did. Graceland, when not overrun by crowds, feels very special indeed. Standing in the quiet you can almost feel the spirit of Elvis still inhabiting his home. The feeling in Memphis’ Sun Studios can bring fans to tears.

After his 2017 visit to the Las Vegas International / Hilton Hotel, EIN contributor Arjan Deelen recently returned to New York and the Mercury Ballroom, home of Elvis' famous 1972 'M.S.G' press conference.

ELVIS: The New York 1972 Press-Conference - The Way It Was and How It Is Today.

By Arjan Deelen

“First of all, I plead innocent of all charges!”.

Revisiting Elvis’ New York press-conference together with Phil Gelormine

”The image is one thing, and the human being is another”
…  a well-known Elvis quote from his press-conference at the Mercury Ballroom in the New York Hilton, on June 9th, 1972. He gave us a brief glimpse of the pressures that he was living under being Elvis, even adding, “It’s very hard to live up to an image, I’ll tell you”.


I was reflecting on this as I visited the Mercury Ballroom a few weeks ago, together with my friend Phil Gelormine (who was actually there at the press-conference, now some 47 years ago), his buddy Jeff and my son Alexander. We all stood in the room, looking around, as Phil told us about that day. He snuck his way in, pretending to be a member of the press, put his recorder on the table, and got his camera ready. Phil remembers the Colonel acting like a bully, barking at the press, pushing them physically even, telling them where to stand or sit. The room was filled with people, and the press eagerly awaited Elvis’ arrival.

Another view of the stage, then and now.

Most of his television performances had been filmed here, but he’d never actually done a live concert in the Big Apple. But, by ’72, the time was right. Since ’69, he’d performed almost 250 shows in Las Vegas and on the road, and by now his skills as a live-performer and entertainer had improved considerably in those 4 years. Elvis was ready for New York. And New York was ready for him. Admittedly, it had not been love at first sight, and no doubt Elvis still remembered the sneering NY press at the time of those early television appearances. But times had changed. Presley was now 37, and he had reinvented himself completely since his comeback, charting with great pop songs like “Suspicious Minds”, “In The Ghetto”, and now, with “Burning Love”. He had proven his endurance as an artist, and he was now an immensely successful & popular live-performer. So the press took the Colonel’s antics in stride, waiting for Elvis to appear. The how’s and why’s behind this press-conference are not completely clear, but generally it was seen as a sign of goodwill towards the press, as well as obviously some last-minute publicity for the four sold-out Madison Square Garden concerts on June 9 – 11, 1972.


Phil clearly remembers the moment Presley stepped in the room. Presley looked absolutely dashing, suntanned, fit and dressed in a gorgeous blue outfit. His charisma lit up the room. “First of all, I plead innocent of all charges!”, he said, breaking the ice right from the get-go. The whole séance took only about 20 minutes or so, but by then everybody had gotten what they wanted: plenty of good photo ops, as well as a couple of nice quotes. Elvis didn’t say anything revealing, but nor was this the platform to do so. The press-conference did show how skilled he had become in handling the press.

Just compare this press-conference with, say, Houston ’70…. It’s like night and day. In Houston he seemed tired, somewhat disinterested and at times a tad edgy, while in New York he was sharp, witty and charming. But, in all fairness it must be pointed out that the NY press did give him an easy ride: a few pointed questions were asked, but for the most part it was a love fest. Elvis carefully sidestepped any questions that might have caused controversity, such as the one about entertainers expressing their personal viewpoints. He knew that some journalists were always looking for an angle to get a headline, but he was not going to hand it to them on a silver plate.

This is the view that Elvis had from the stage.

At times Elvis did look a little ill at ease, but for the most part he did a splendid job of charming the seasoned New York press. They lapped it all up: his gorgeous smile, his humility, his extravagance (“… You know, this gold belt…”), his self-deprecating sense of humor, and most of all, his realness. Despite his fame, he seemed like a guy that you could connect to, and someone who was dealing with the same daily life struggles that we all do. Case in point being his subtle reference to his separation from Priscilla. At the end of the session, everybody present seemed pleased. “I’d like to live up to my reputation of being a nice guy, but this is it folks!”, said the old carny, and Presley looked bemused at his manager’s antics as he got up to leave the room. It was an impressive showing, and great publicity for the MSG concerts. Mission accomplished.


The American flags are still there, on each side of the stage.


As we stood in the same room just a few weeks ago, it was immediately recognizable from the ’72 photos. Some of the wall paneling had changed, but other than that, everything else looked pretty much the same. The stage, the curtains… even the two American flags on each side of the stage. There were some chairs stashed on each side of the room. Phil pointed out small, interesting details. He pointed at the elaborate lightning, and said that these lamps were also there back in ’72. We got up on the stage, enabling us to see Elvis’ perspective during the conference. Overall, the room looked as if the press-conference had taken place just a few days ago, and not 47 odd years.

Phil points out that the lightning is still the same. - Photo (c) Phil Gelormine



Reflecting on his life at that point, Presley was on top of the world. Sure, there were some chinks in his armor, including his looming

divorce and his increasing dependency on prescribed medication. But he was dating again, and he would meet Linda Thompson in July, who by all accounts was a great match for him. She was caring, funny, intelligent, perceptive and understanding… All good qualities that would help her cope with Elvis’ complexities and insecurities. His career had been in an upswing since ’69, and indeed ’72 may well have been his best concert year overall, with strong performances throughout the year. According to many, he was never better than at the Madison Square Garden shows. In hindsight, this may well have been our final glimpse of the truly sensational, bigger-than-life Elvis concert spectacles.

Looking at the footage released on the ‘Prince from another Planet’ CD/DVD (go here for Arjan's insightful review) set really drives that point home. The electricity and energy-levels are off-scale, and it’s almost as if you’re watching an otherworldly event.  As fellow rock musician Lenny Kaye observed, at Madison Square Garden, Elvis "functioned as a God… It’s very seldom that you get a chance to see a show at Mt. Olympus". Which makes Elvis’ painful descent in the years that followed even harder to accept.

Aloha From Hawaii the following year was already a step down, but even that did not prepare us for the horror of those final years, which are still hard to make sense of for all of us who loved the man. That he would die just five years after MSG, and in such a horrible shape, is still shocking and hard to fully understand. But it’s all part of the story. Phil got to experience some of those final painful nights, like Philadelphia ’77, first-hand… Bruce Springsteen tactfully observed, “it was not a good night”.

But that afternoon in the Mercury Ballroom, he had the world at his feet, and there was no reason to believe that it would ever stop. Not for a while at least.


Right before the press-conference, Phil had placed his simple tape-recorder on the table. He couldn’t help but notice that it looked a tad amateurish compared to the top-quality mikes that the television stations had placed there, and for a moment he worried that Presley might look at it and say, ‘What is that thing?’ and toss it aside. But of course, that didn’t happen. He retrieved it right after the conference. And listening to it at home, he noticed that because it was placed so close to Elvis, that it had even picked up his breathing.

Can you spot the tape recorder?

Unbeknownst to Phil at the time, there was a little presentation right after the press-conference where Elvis received a gold award. This was in a hallway area right behind the ballroom. Elvis also posed for some photographs there, including with a few with a Hilton executive and a couple of shots of him together with some fans from Norway. Phil took us there, and once again it was fascinating to see that things hadn’t changed much. It looked pretty much the way it did back then, and it was fairly easy to locate the spot where Presley stood. Again, it was almost as if he’d just left a few moments ago. This was really, really cool.

Backstage things haven't changed much in decades.


While in town, I had hoped that we could see a performance by NY rockabilly icon Robert Gordon, but he’d just done a show there on the day we arrived. But I reached out to him, and he kindly invited us to an unplugged session at his West Side apartment. Let me tell you, this was a lot of fun. He sang everything we wanted to hear, his classic songs, and even a couple of Elvis covers, including this one -- a personal favorite:

New York was such a blast, and I would like to thank especially Phil Gelormine, his buddy Jeff as well as Robert Gordon and his wife Mary Lee for making us feel so welcome. It was very memorable.

New York ’72 was a special moment in time for Elvis. Fortunately, we can relive it every time we put the CD in the player, and marvel at the spectacle that was Elvis Presley in concert.

For those of you who are interested in my writings, I have a book coming out this month titled “Inside Elvis”, a 300-page book & CD. Tons of photos, including a bunch from both the press conference and the actual MSG shows. For more info, contact me at: deelen@elvis.dk - EIN will be adding news about this book very soon.

Well, I had to do it, didn't I.... 'First of all, I plead innocent of all charges!'




Spotlight by EIN Contributor Arjan Deelen.
-Copyright EIN November 2019.
EIN Website content © Copyright the Elvis Information Network.

Click here to comment on this article

'ELVIS: That's The Way It Was & This Is How It Is Today': Elvis is no longer with us but his spirit lives forever. Elvis fans always discover something quite magical when they get the chance to “Walk-a-mile-in-his-shoes”. Graceland, when not overrun by crowds, feels very special indeed. Standing in the quiet you can almost feel the spirit of Elvis still inhabiting his home. The feeling in Memphis’ Sun Studios can bring fans to tears.
One of the places that Elvis spent a large part of his life is the Las Vegas Hilton Hotel – now the Westgate. Elvis performed a stunning 636 concerts in the Hilton showroom and the impact of his incredible legacy can still be felt. Watching the classic movie ‘Elvis: That’s The Way It Is’ you can feel the power of his spirit.
Arjan Deelen recently returned to the classic hotel to investigate “Elvis Hotspots” and discoved that behind the showroom stage is relatively unchanged.
(Spotlight, Source;ArjanDeelen/ElvisInfoNetwork)

'Prince From Another Planet’ In-Depth Review: Of all the live concert recordings released by RCA during Elvis Presley’s lifetime, none carried the historic significance of his long-awaited New York City shows at Madison Square Garden and now the two RCA recorded concerts and newly found fan-filmed video footage been released in one deluxe package for the 40th Anniversary Edition.

"PRINCE? MAKE THAT KING!" - Go here as Arjan Deelen reviews the new Sony ‘Prince From Another Planet’ package.

It’s been a while since a new Elvis release generated as much publicity as ‘Prince From Another Planet’ - But is it as good as our high expectations?

(CDReviews, Source;ArjanDeelen/ElvisInfoNetwork)

'Elvis: Walk A Mile In My Shoes' - EIN Review: 'Elvis: Walk A Mile In My Shoes' is subtitled “Arjan Deelen talks to the musicians, singers, songwriters and producers who helped create the ‘Presley Sound’”.
Arjan Deelen's interviews were carried out over a 14-year period and he interviewed everyone from Scotty Moore & D.J. Fontana and the TCB Band through to Shaun Nielsen, Jim Murray & Terry Blackwood, The Memphis Boys, Mary & Ginger Holladay and many, many more.
The book is publicised as a feast for the eye, with almost 300 rare and unpublished photos of Elvis, in some cases sourced from the original negatives and dias. These photos cover the whole spectrum of Elvis’ career, from 1954 to 1977.

The book has finally arrived in Australia and EIN's Piers Beagley has an In-Depth look to see whether it lives up to its expectations..
Go HERE for the review, interview excerpts, rare photos and much more.

(Book Reviews, Source;ElvisInformationNetwork) 


Go here for other relevant articles:

"An Evening with Elvis' Friends and Original Musicians" Review

'Autopsy: The Last Hours Of Elvis' - Review by Arjan Deelen

RPO tours WITHOUT the RPO: Have EPE lost the plot completely?

'Elvis In Concert ROCKS Copenhagen in 2012:

Christmas 2011 Elvis-Style in Bavaria:

'The Original Elvis Tribute STRIKES AGAIN! in 2011 

'The Original Elvis Tribute 2010'- An Elvis band on Tour: 

Arjan Deelen's 2009 interview with Duke Bardwell

2009 Michael Jarrett Interview

EIN Website content © Copyright the Elvis Information Network.
Elvis Presley, Elvis and Graceland are trademarks of Elvis Presley Enterprises.
The Elvis Information Network has been running since 1986 and is an EPE officially recognised Elvis fan club.



















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