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PAUL McCARTNEY ON (The Beatle now owns the double-bass played on the King's haunted gem.)
Elvis is a truly great vocalist, and you can hear why on this song. His phrasing, his use of echo, it's all so beautiful. It's the way he sings it, too. As if he's singing it from the depths of Hell. It's a perfect example of a singer being in command of the song. Musically it's perfect, too. The double-bass and the walk-in piano create this incredibly haunting atmosphere. It's so full of mystery, and it's never lost that for me. The echo is just stunning. When The Beatles were recording, we'd often ask George Martin for "the Elvis echo". I think we got it down perfectly on "A Day In The Life." Funnily enough, I ended up owning the double-bass that Bill Black played on "Heartbreak Hotel." I used it when we recorded "Free As A Bird". Linda bought the bass for me as a present. We knew this guy in Nashville who knew Bill Black's family. At that point, Bill had died and the bass was sitting in his barn. They didn't know what to do with it. So Linda got hold of it. When it arrived, I was astonished. It was all intact, right down to the white trim around the sides, except that the letters spelling "Bill" had fallen off. As it had been kept in a barn all those years, there was hay inside it. We tipped it upside-down to get rid of it, and this old guitar-string packet fell out. I started thinking "How the hell did that get in there?" I decided that Scotty Moore must've broken a string, changed it onstage but had nowhere to put the packet. So he hid it in Bill's bass. I can't honestly say that "Heartbreak Hotel" is Elvis' best record. I love Elvis so much that for me to choose a favourite would be like singling out one of Picasso's paintings. What I will say is that it's Elvis' most alarming performance. When I hear it, I always get this image in my head... Elvis driving his Lincoln down the interstate on a clear night in Tennessee. The stars are twinkling. The air is balmy. They're on their way to a show, Bill Black and Scotty Moore in the back, with Bill's double-bass strapped to the car roof. And now that bass belongs to me. It's my link to "Heartbreak Hotel".
The UNCUT Top Ten 'Rock & Movie Icons that Changed Our World' were.. 1. Bob Dylan - Like A Rolling Stone If you are interested in Pop-Culture, movies and music, the UNCUT 100th issue is a fascinating read, so search it out at your local Australian newsagent now. It even comes with a free CD! Click to comment on this article
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