"Elvis Presley is the greatest cultural force in the 20th century."

(Leonard Bernstein)


"If you're an Elvis fan, no explanation is necessary; If you're not an Elvis fan, no explanation is possible."

(George Klein)


"For a dead man, Elvis Presley is awfully noisy."

(Professor Gilbert B. Rodman)


"History has him as this good old country boy, Elvis is about as country as Bono!"

(Jerry Schilling)


"Absolute id crashed into absolute superego...as the uptightset man in America shook hands with just about the loosest."

(Mark Feeney on the 'Elvis meets Nixon' meeting)


"Elvis is everywhere"

(Mojo Nixon & Skid Roper)


"...especially in the South, they talk about Elvis and Jesus in the same breath"

(Michael Ventura, LA Weekly)


"The image is one thing and the human being is another...it's very hard to live up to an image"


(Elvis Presley, Madison Square Garden press conference, 1972)


Max Pellicano

'Elvis To The Max'

EIN Interview by Piers Beagley

Elvis Presley died 28 years ago but his image & legacy continues, reinforced partly by Tribute Artists or imitators. To be honest the majority of imitators are woeful, and often help destroy the real legacy of Elvis. These are the ones the tabloids love to exploit.

Max Pellicano, however, is one of the very best. A trained actor who manages to capture the style, vocals & magic of an Elvis performance - and he has been thrilling Australian audiences for over a decade.

EIN's Piers Beagley interviewed Max Pellicano in Tweed Heads last week, to find out more about 'Elvis To The Max'.

EIN: Hi Max, welcome back to Australia. Congratulations on the 3 dates at Sydney’s Star City Casino - you’ve sold more tickets than Lisa Marie herself!

Max: Thanks. Yes, it’s our first time playing Star City. I love Sydney. I grew up in San Francisco and it’s got that same kind of European feel about it. I live out on the East Coast now but I really miss it

EIN: Where did the name Max Pellicano come from, it sounds Italian?

Max: It is southern Italian. It’s a kind of a funny thing my grand parents migrated into Southern France back in the early 20s and then both my parents were born in Monte Carlo. We were in Monte Carlo until I was 2 yrs old and then we moved to New York.

EIN: And you’ve been back to play Monte Carlo. Did they realise you were born there?

Max: I don’t think so. It’s a funny thing that when you perform as Elvis you need to promote yourself as being from the USA, otherwise you lose the mystique.

EIN: Unlike most imitators, you studied Arts at California State University.

Max: That’s right. I studied for 4 years, did a lot of theatre and then I graduated and went on the road with a summer stock production. I had big plans of going to Broadway and to be a big actor but then I found myself in ‘Bye Bye Birdy’. All of a sudden I found something that just seemed to fit and the "Elvis character’ was just right. After that show I was approached by a couple of promoters who asked if I was interested in doing an Elvis show and that’s how it really started. They offered me a thing in Hawaii and I ended up there for about 3 years. That was where I created ‘Elvis To The Max’.

EIN: That’s interesting that they actually suggested you "do Elvis", as opposed to you thinking of it first. That’s a nice twist.

Max: Yeah, I was really ready to move to go to New York and try my hand at theatre and then I just got this opportunity and I thought yeah I’ll just try it for 6 months. Then 6 months turned into a couple of years and a couple more years and you know how it goes, you just do what works for you. I was very fortunate because I was in the Vegas ‘Legends in Concert show’ for quite a few years.

EIN: Unfortunately I’ve seen some very lame Elvis performers in that show. You would have been great.

Max: Overall it was a good experience, even though you only got to perform about 20 min and that got really frustrating. However while I was there I met up with an Australian who put me in touch with Argentino Russo my arranger & guitarist here. He suggested that we go to Australia & put a big show together with a big band and do a real live theatre show! The first time I came here the reception was just incredible and I’ve been coming ever since! I think we started in 1992. It’s just amazing, I’ve made so many friends here it’s like I don’t want to leave.

EIN: Well you’ve played so many places – you’ve played Mexico City, what did the Mexicans think of you?

Max: That was fun & they were jazzed, they liked it. However I do like to perform in English speaking countries because they get your jokes! Like here in Australia where I’ve met so many avid Elvis fans that watch the movies, they watch the live concerts, the can recite lines.. That for me is really rewarding because when you do the show and they pick up all these little nuances. I talk to fans afterwards and I feel like they really appreciate it and they get the jokes and so I’ve concentrated on working in Aust, Canada, NZ and UK.

EIN: That’s the thing that I like about your shows. The fact that you have obviously studied Elvis’ videos very carefully, and perfected Elvis’ little sideways glance at the band. You’ve got every nuance and gesture that Elvis did which you put it in your show.

Max: You got it! That’s what creating a character is, it’s those little things that establish the character. It’s not just the voice – it’s the little things that make Elvis a real person & that’s what’s important. That was driven home to me when I was an actor – pick up the little things.

EIN: So what do you put down as your profession? Are you an actor? Do you put "Elvis"?

Max: No ….. just ‘Entertainer’.

EIN: I’d put "Elvis" !!

Max: Yeah. You know when I go for a bank loan I say ‘I do Elvis’ and they look at me like, "Huh"? I’m asking them for money and they look at me like, "I don’t think so!" (laughing) People ask me all the time, "OK so you perform Elvis, but what’s your real job -what do you really do?

EIN: How many shows do you perform a year?

Max: Depends. I just finished at the Hilton in Windsor, Ontario and we did 5 weeks so that’s like a sit-down gig. I get to settle in which is kind of nice. When we travel we might just do 1 or 2 nights in one place then travel on, which gets a little tough. But easily over 100 performances a year.


EIN: You have a core following here. Fans fly state to state to see your shows.

Max: That is amazing, sometimes I can’t believe it myself! The power of Elvis is incredible. The other night we were in NZ and after the show I go out to sign autographs and I couldn’t believe how many young people were there – you know teenage girls!! I don’t get it – how do they relate to a guy who died 28 years ago?

EIN: I think it’s fantastic for the Elvis legacy that the ‘A Little Less Conversation’ remix got into the dance charts and pushed his popularity back up again. The other amazing phenomena I’ve seen is you on stage and women giving you their underwear!! What do you think of that?

Max: (laughs) You just take it for what it is! Sometimes it’s people I know and it’s a kind of a joke. Perhaps the atmosphere of the show gets to them. It’s nice to know that people still look at you and want to give you their underwear! But I really like people to get out of their seats, come up to the stage and get scarves because it gives the feeling of a real Elvis concert.

EIN: Have you ever met Elvis’ band?

Max: I worked with The Jordanaires & JD Sumner & The Stamps, and met most of Elvis’ musicians. I really, really, loved performing with the Jordanaires. They told me that they had really worked with some real kooks. And so I made a point when I first met them that although I "do Elvis’, I was just going to be myself and no fake. Really my biggest dream would be to do a concert with Elvis’ band but they are rightly wary of belittling Elvis’ image. I saw ‘Elvis- The Concert’ and really enjoyed it, but it is odd that ‘Elvis’ at the front is actually missing. That’s the type of thing I’d like to do but only as a tasteful tribute thing.

Max Pellicano with J.D Sumner (left)

Max Pellicano with The Jordanaires. (right)

Elvis never travelled overseas and regrettably a lot of people never got to see him, so that’s the key for me. There is nothing like a live performance, and with the concert you can really feel him alive onstage. That’s why I like performing overseas, because Elvis never got to these countries, and I hope to create some of that special aura of his.

EIN: Do you still do film work?

Max: That was fine when I lived in LA and I could regularly check in with my agent but I’m not living there. I’m also used to doing the live shows rather than hanging around waiting for small parts & waiting for cameras to role. There’s just not enough stimulating energy there for me.

EIN: The "Aloha" tour you did was incredibly successful but I do appreciate that you regularly change the themes of your shows.

Max: The thing is that with so many Elvis songs, whatever shows I create, there is always new material to do, and always new requests from the audience. So I like to plan the set, change the theme add new songs as well as pace the set right.

EIN: You mainly focus on Elvis' shows up to Aloha. What do you think of Elvis' very final years up to 1977, they seem so emotional?

Max: In some ways I actually do appreciate Elvis’ final concerts and the power of his voice. Some of those songs from his last years on tour were also kinda’ prophetic, so I would like to feature some of them in a show one day.

EIN: Tell me about the Fifties shows at the Basement in November.

Max: I hear it’s a great club, I’ve never played there & it’s good to do something very different. It’s a nice venue and will be strictly Elvis’ rockabilly stuff. It’ll be great to do something new & adventurous - we’ll rock out!

EIN: Where next?

Max: We’re hoping to do some shows in England and trying to arrange a tour with a promoter over there.

EIN: What do you to relax between shows & what music do you listen to?

Max: I’m an avid Beatles fan but I listen to everything, & love good rock. On days off I sit & play guitar. I love great lyrics, Burt Bacharach stuff. I was a guitar player for a long time and so I love playing for fun. In some ways I always wanted to be a Beatle!

EIN: Where were you when Elvis died?

Max: I was performing, but not doing ‘Elvis To The Max’. My Father had finally convinced me that I needed to get a regular job. So I was driving across the bay to a job interview and suddenly on the radio, ‘Boom’, they announced that Elvis had died at Graceland at 4.30pm that afternoon. It just hit me…. I just couldn’t get to the job interview. I went back home and thought about him, what it all meant. So much good stuff came out of Elvis life. Not just the music but the people he helped – and on a personal level too.

It was months later that all of a sudden the crowds started searching for Elvis impersonators, because suddenly everyone realised that they would never get to see him any more. Everyone missed Elvis. My life turned around about then…

EIN: Max, you are certainly one of the very, very best.

Max: Thanks a lot. I will definitely always come back and please tell the fans how much I appreciate their support.


Interview by Piers Beagley.
-Copyright EIN November 2004
EIN Website content © Copyright the Elvis Information Network.

EIN Website content © Copyright the Elvis Information Network.
Elvis Presley, Elvis and Graceland are trademarks of Elvis Presley Enterprises.
The Elvis Information Network has been running since 1986 and is an EPE officially recognised Elvis fan club.

















Latest Reviews
Book: Desert Storm
Book: Elvis On Stamps
Photobook: A Tribute To The King
DVD: Lilo & Stitch 2
FTD: Elvis Today
Concert: Elvis Leaves His Mark
Book: Elvis-UFO Connection
Book: Behind The Image Vol. 2
Book: Elvis on Screen
DVD: Elvis & Me
FTD: All Shook Up
FTD: Tickle Me
CD: Elvis by the Presleys
Book: Warman's Elvis Field Guide
DVD: Why Elvis?
Book: Dewey and Elvis
CD: Black & White Elvis
CD: All Shook Up
Book: Rough Guide to Elvis
FTD: Rockin' Across Texas
FTD: Elvis Is Back
TV Special: "Elvis by the Presleys"
Book: Elvis by the Presleys
CD: Tom Green
Show: Sonny West
CD: A Legendary Performer Vol. 5
Mini-series: Elvis
FTD: Big Boss Man
DVD: Elvis 1st, 2nd & 4ever
Latest Articles
'Elvis Seriously'- Why is Elvis' voice too often ignored
Elvis & Ed Sullivan - The Real Story
It's Over - Gordon Minto on 18 #1's
Elvis - symbol of freedom or not?
The importance of being Elvis
Elvis rules on television! (updated August 2005)
Tribute to Elvis (16 August 2005)
Elvis in the 50s - Maxine Brown
Meeting Elvis & Priscilla
How & where to sell your Elvis collection
Welcome to Gulag Graceland
The King and I
Elvis was a racist? (4)
Elvis was a racist? (3)
Schism between Elvis' stage & studio work
Tupelo, Miss....Elvis 2005
Elvis was a racist? (#2)
Elvis vs. Jerry Lee Lewis
Elvis was a racist? (#1)
Elvis making a killing
Elvis & the treasure chest of blood money
Priscilla - "no angel"
Elvis in the 1970s
More on Elvis on TV
"Orion" gunned down!
Elvis Is Back
Elvis - Hero with 1000 faces
Elvis Film Guide
Elvis & other major artists miss out on Grammy Awards
How did Elvis die?
Latest Interviews
Bernard Lansky
Albert Wertheimer
Priscilla Presley
Marshall Terrill
Lisa Presley on Larry King Show
Tony Joe White
Stanley Oberst
Bud Glass (part 2)
Red & Sonny West
Ed Bonja (Part 2)
Ernst Jorgensen
Phil Aitcheson (Presley Commission)
Candlelight Vigil 2005
Elvis On Tour (Hampton Roads) footage
Elvis On Tour
Elvis photo gallery #1
Elvis Week 2005 Photo Archives
EPE's multimedia Elvis gallery
Graceland cam
Listen to the Elvis "strung out" in Vegas audio
The "Real" Elvis off-stage
Unreleased Elvis audio now online
View EPE Graceland tourism ads