"ELVIS PRESLEY SPEAKS"

July 1956 - magazine

Spotlight by Piers Beagley / Paul Gansky

The eighth in an EIN series looking at early, original magazine articles about Elvis Presley

 

Another brilliant magazine of-its-time printed by 'Rave Publishing' another early magazine - of 68 pages- totally devoted to America's newest pop-sensation.

Going to print in late June, Elvis' up-coming July 4 1965 Russwood Park concert is noted but there is no mention of Hound Dog or Don't Be Cruel.

Written by Memphis Press-Scimitar journalist Robert Johnson - with photographs by Robert Williams (Memphis Commercial Appeal).

The front cover notes

Read his own story in his own words

Plus 100 New pictures

 

 

 

 

The earlier sections of the magazine include stories of Elvis' childhood, moving to Memphis and being first recorded by SUN records and Marion Keisker.

Below EIN looks at the final chapters where Elvis interestingly talks about recent 1956 events such as the May Las Vegas engagement, his rapid rise to stardom and even mentions his desire to record some "religious music" - and this is before he recorded the world-changing Hound Dog / Don't Be Cruel.

At the Las Vegas New Frontier Hotel.. because the teenagers couldn't see the regular shows and were clamoring to be appeased, the management put on a special Saturday afternoon Show.

Compared to the earlier Freddy Martin Orchestra "sophisticates" concerts, the carnage was terrific. They pushed and shoved to get into the 1000-seat room and several hundred thwarted youngsters buzzed like angry hornets out-side.

After the show, bedlam! A laughing, shouting, idolatrous mob swarmed him: He fled to the insufficient sanctuary of his suite. The door wouldn't hold them out. They got his shirt, shredded it. A triumphant girl seized a button, clutched it as tho it was a diamond.
A squadron of police had to be called in to clear the field.

A dazed older woman who had been bowled over in the teen-age tidal wave was discussing it incredulously at a bar, over a glass of medicinal beverage to calm her jangled nerves:
"My gawd what those kids did to the ladies room! Lipstick all over the walls . . . baskets turned over and the paper strewn around . . . it looked like a wrecking crew had just finished."

Elvis laughed about it. "Shucks," he said, "it wasn't near as bad as some of the times. Like when they threw rocks in the bus windows so they could grab at me and try to get autographs. The roughest was in Texas. I got scratched all over my back."

Elvis says the later occasion when wire services carried stories about his show being stopped before it was over when the kids charged the stage, and drummer DJ Fontana being thrown in the pit were exaggerated. "There wasn't any pit there", he said. "And I finished my song, altho I did get out in a hurry. I made a new door where one should have been."

How does Elvis feel about this violent affection from his fans?
"Well, I have to defend myself but honestly I love it. They're the ones who like me, and they're just trying to show it."

At Las Vegas with Elvis as valet-companion was his cousin, Gene Smith. Gene's duties are somewhat vague, but he's supposed to take care of the clothes. Mostly, too, it seemed that Elvis just wanted some company.

Elvis in a night club is somehow strange. He doesn't drink or smoke, and he told me he doesn't dance either, aside from what he does in his act.

Mrs. Keisker once told me that soon after Elvis made his first record, he went to Nashville with her and Sam Phillips, and that they went to a roadhouse where Sam wanted to scout some talent.
""There was some drinking at neighbouring tables," Mrs. Keisker said, "and it wasn't a very nice place. Elvis leaned over to me and asked if it would be all right for him to go out and wait in the car.
"He told me, 'My mother didn't raise me to be in a place like this.' "

One thing about his May trip to Las Vegas pleased Elvis - it never goes to sleep. He had company during those long night hours, and night had become like day to him.

He roamed around, caught some of the shows, especially the Four Lads, whom he likes a lot. He never dropped a nickel in a slot machine while he was there.
"It don't appeal to me," he said.
"I'm trying to save.
You know when I first began to get some money, I bought a lot of things I had always wanted. Like cars. My father saw we never went hungry, but - well, you know I never had a lot.

"I did some of the things I never could do before —and believe me it's been fun.
You ask me what I like to do now. . . Well, I'm just having fun when I get the time, but I don't have much time. Like this afternoon, I'm going over and ride the little scooter cars in the amusement park.
"I guess I enjoy dating more than anything. Is that wrong? I think I'd be crazy if I didn't. I like to take a girl out and look around and have fun."

Elvis spent most of his spare time riding the scooter cars.
He rode the little cars every hour he was free in Vegas, spent over $100 on rides for his friends, some girlfriends and himself.
Elvis is fearful that his friends will think he has been changed by what happened to him.

"I want the folks back home to think right of me. Just because I managed to do a little something, I don't want anyone back home to think I've got the big head."
But he knows in his heart that some things have changed.
"I can't just do like I did."

At Las Vegas, the hotel announcing system was calling his name almost constantly. Long distance from all over the country. Girls, and some women old enough to be his mother.
So there has to be a buffer of people around him  - an entourage to give him some free time, protect him from the girl who was just sitting and thinking about him and just had to call him up and sure, 'you remember me, Elvis, I was the one in the blue dress that night, you gotta remember'.

His sleeping and walking hours are turned upside down by his work, aside from his own inability to sleep easily.
Elvis Presley enterprises have become big business, and there has to be some time for talking with his manager, Col. Tom Parker, and making decisions. He has to look over new music possibilities.
In his first year, Elvis did remarkably well. In his second, he will gross between $800,000 and a million dollars.
About $10,000 a week goes to him.

Is he saving?
"Yes, I'm saving. My money goes in the bank, and every three months we make a payment on my income tax. I'm not spending it all.
"I couldn't live the rest of my life on what I've got - not the way I want to live - but I could go quite a few years."

The pressure of the job is terrific. He becomes intensely nervous from lack of sleep and strain. He is alternately intensely interested in something, or quickly bored.

Does he realize that other stars have glowed, and then burned out?
"Sure, I know. It may not last forever. But this didn't happen all at once. Since the beginning, when I first began, it was just the same. The only difference, the crowds are bigger now.
I know it can end, but it won't happen all at once, either. I can always make a living on the road.
What I really want, though, is to be a good actor."

What kind of music does he like other than his own?
"All kinds. I like Crosby, Como, Sinatra, all the big ones. They had to be good to get there. I've always been kind of partial to Dean Martin. I like the Four Lads.
And I'm real partial to good religious quartets -  like the Stamps and the Blackwood Brothers. I've loved that kind of music ever since I was a boy, and especially if there's a real good bass singer.
I'm going to record some religious music one of these days."

Elvis' singing is something unique to himself.
The critics have noted that Louis Armstrong sings as he phrases on a trumpet, that Sinatra's style was influenced by the trombone of his early Dorsey days.
Elvis, with his broken syllables and strange vocal effects, uses his voice like the guitar he has carried since he was a boy. If the critics had looked at it for what it was, an uncultivated but genuine music, on the level with folk music, and if they had looked at it without preconceived prejudices, they might have come to some different conclusions.
But Elvis took a beating in print.

And how did it affect him?
"I don't like it but I have to expect it, I guess," he said.
He shrugs it off - but he has every unkind, bitter, cruel word he has ever come across about himself in a scrap book.
His mother and father keep it for him.
And seldom has there been such a wholesale disregard for the power of the press. 

The press criticized, and Elvis was the No. 1 attraction in the country - stage, records, TV.

One thing which may interfere.
"I'm 1-A in the draft," Elvis said. "I'll go when I have to, of course, but I would like a little more time the way things are. It'll be quite a drop - from $10,000 a week to $74 a month."

Elvis may have to improve his vocabulary. He knows it, and he is acquiring some polish as he rubs against a world bigger than the one he grew up in. He uses a double negative occasionally, and he drops his g's.

He does not talk, in my opinion, like the caricature of hillbilly and hepcap whose jargon has been placed in his mouth so often. He talks so naturally that, unless you're just looking for something freakish, ordinarily you wouldn't think a whole lot about his occasional lapses in grammar.

The Army might possibly be the best thing which could happen to Elvis, although how his nonconformist personality would fit in is a question. But it might give him some time to rest, think, learn self-discipline. He might even enjoy it.
Right now, home still means more than anything to Elvis.
"I'm just a home boy at heart" he says.

And a typical gesture of his generosity was his recent donation of his services free for a big charity show in Memphis. With Col. Parker's concurrence, they picked out July 4 - one of the biggest days in the year for them - and canceled out another date in order to play it.

Then Elvis went one further.
"I've got a ring," he said. "It's a pretty good ring $600 my initials in diamonds. Do you suppose if I gave it as a door prize, it would help us make more money?"

Elvis doesn't write often, but calls his mother and father several times a week. One night when he was playing in Virginia, there was a terrific storm, and he called three times to be sure everything was all right back home.
He still identities himself with his old neighbor-hood, his old friends.

"Not long ago," said his father, "a little 15-year-old girl had a heart attack and dropped dead at one of the schools. Elvis saw it in the paper. She was just a child when he knew her, back in Lauderdale Courts, and he hadn't seen her in several years.
"But he sat around all that night thinking about it. He woke us at 3 in the morning and said he just had to have some company it was worrying him so."

In some ways Elvis is very naive. He likes to read mysteries occasionally, but very little else. He can't sit still long enough. He wants to be on the go.
He'll charter a plane just to get back home a few hours earlier.

His old friends don't have cars, so Elvis gets in one of his Cadillacs and goes to get them, brings them over to his house. It's headquarters for a whole gang of boys.
They stage boxing matches on the patio, play pool in his den.

Outside, there are usually anywhere from two or three to a few dozen of his young admirers standing about in the yard on the chance that he'll show himself.
He does. He has a natural courtesy for everyone - to this day says "Yes, sir" and "No, sir" to anyone a few years older than himself.

We were sitting in his newest Cadillac the day he got it while he tried out the air conditioning when a group approached.
"Let me get rid of these little girls," he said. He didn't say it impatiently or unkindly. He opened the window, said, "Say, can I have your autograph?" before they even got their mouths open.

One dusk, with about a dozen youngsters clustered about his patio, he gave in interview to two young ladies, ages 13 and 14, who wanted to write it for their Elvis Presley Fan Club magazine.
"Who's my favorite actress? - Lassie," he said with a straight face, watching them out of the corners of his eyes. Then he broke into laughter.
He talked to them a half-hour or so, told them his favorites are Marlon Brando, Rod Steiger, James Dean, Glen Ford and John Wayne among men stars, Natalie Wood, Doris Day and Kathryn Grayson among women.

By the time he was thru, the entire crown of youngsters had made themselves completely at home, were borrowing the telephone, going into the house for water.

This goes on all the time. Mrs. Presley says she doesn't mind much.
"After all, they like my boy," she said.
But it does get discouraging when they call long distance or knock on the door at 3 a.m.
The phone is unlisted and the number has been changed frequently, but the number somehow leaks out.

"The most expensive thing I've bought is our home," he said.
It is a very nice home - in about the $40,000 class - but far from lavish or pretentious.
But the most important thing about it is that it's home.
That's why he put those Cadillacs in the driveway. 

The Golden Boy of Song - Elvis Presley.
Young man, riding on a cloud.
Reaching out for a star. . .
Hoping it won't turn out to be a brass ring.


Spotlight by Piers Beagley / Original magazine supplied by Paul Gansky
-Copyright EIN July 2026. Do Not reprint or republish without permission.

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Spotlight "Official ELVIS PRESLEY Album" August 1956: Another brilliant magazine of-its-time - from 'Charlton Publishing' - one of the very first magazines totally devoted to America's newest pop-sensation.

"Elvis' style of singing has caused more discussion than the atom bomb...."

EIN looks at three cool segments..
- Triple-Threat Man of the Music World.
- Elvis The Showman

- the 'Elvis Presley Fact Sheet' for mid-1956

The 7th in an EIN series looking at early magazine articles about Elvis Presley..
Check this fascinating article & rare photos..
(EIN Spotlight by Piers Beagley / Paul Gansky)


Spotlight "What You Don't Know About ELVIS PRESLEY" Movie Mirror Feb 1957: Another brilliant vintage article, this time from 'Movie Mirror' magazine February 1957.
Written by Alfred Wertheimer - the photographer - "Untold Facts about ELVIS PRESLEY by a Friend."

.. "Why do the girls go for Elvis? I'm no judge of that, of course! But I'd guess it's because he has very sensuous eyes and lips.
Elvis doesn't care what people think. And he's not bashful. He'll walk up and talk to anybody.
Elvis is completely unorthodox, and unpredictable. As he puts it, "If you wanta’ get ahead, you gotta be different!" And he means it.
With other performers, you can predict pretty well what the act is going to be when they step on a stage. Not with Elvis."

The 6th in an EIN series looking at early magazine articles about Elvis Presley - this time with some great 1956 images..
Go here to this fascinating article and discover more ....
(EIN Spotlight by Piers Beagley / Paul Gansky)


Spotlight "The Night ELVIS Flipped His Pelvis?" 1956: From On The QT magazine, December 1956 issue.

... 'Money isn't the only thing Elvis is getting plenty of. He's the reigning idol of every screaming bobby-soxer in the nation. Girls fight to get near him, quivering with ecstasy at the very thought of touching him.
Elvis was going so strong, so fast and so wide open that the pace became too much. One night in Jacksonville, Florida he plain collapsed - just laid back and passed out cold.
Tense and nervous after a tumultuous show, Elvis walked toward a parked car, then slumped to the ground.
"We took him to a hospital" Bill Black remembers...

The 5th in an EIN series looking at early magazine articles about Elvis Presley.
Go here to this fascinating article and discover more ....
(EIN Spotlight by Piers Beagley / Paul Gansky)


Spotlight "What is Presley doing to our children?" Home Journal magazine 1957: From Canadian Home Journal magazine, June 1957 issue.

. 'By the time Elvis stepped into the spotlight his audience was well primed. The auditorium became a nightmare of piercing shrieks and screams front 18,000 young throats.
Then he began to sing. But his performance was more a pantomime. He could only be heard in snatches when he wasn't contorting his body or face. Screams and shrieks poured in waves from all sides of the huge auditorium and increased in direct proportion to the intensity of his gyrations which closely resemble those of a burlesque dancer.
I was in the very midst of a kind of emotional violence I'd never witnessed before and couldn't understand or assess...
Is this mass hysteria harmful to adolescents?
Three experts suspect it is....

The 4th in an EIN series looking at early magazine articles about Elvis Presley.
Go here to this fascinating article and discover more ....
(EIN Spotlight by Piers Beagley / Paul Gansky)


Spotlight "Elvis Presley: Hollywood Hot Shot or Flop?" Movieland magazine 1956: From Movieland magazine the October 1956 issue.

... 'The most controversial performer in show business today is husky, long-haired, hip-swinging, rock 'n' roll singer Elvis Presley. ... and he can afford to smile at the controversy the mere mention of his name arouses. To date such controversy has meant a million gross within his first show biz year as well as a comfortable seven-year Hollywood film contract.
Hal Wallis, who signed Martin and Lewis to their first Hollywood contract, is the astute producer who is willing to gamble on having the right answer to the question: "Elvis Presley - Hollywood Hot Shot or Flop?"

The third in an EIN series looking at early, original magazine articles about Elvis Presley.
Go here to discover more & with some lovely rare photos..
(EIN Spotlight by Piers Beagley / Paul Gansky)


Spotlight "The Impact of Elvis Presley" LIFE magazine 1956: From the well-respected LIFE magazine August 27 1956 issue.

'Elvis - a Different Kind of Idol' Presley’s impact piles up fans, fads and fears.
In it they note that, "Up to a point, the country can withstand the impact of Elvis Presley as a familiar and acceptable phenomenon" as the US had seen it before with Sinatra and Rudy Vallee.
"The rewards of this, bump and grind, fearless expression are almost unbelievable for the young man who gave up his truck driving job two years ago to become a full-time singer."
Luckily the local Trinity Baptist Church was saying a Prayer For Elvis with the Reverent Gray noting that Elvis "had achieved a new low in spiritual degeneracy."

Elvis' career certainly lasted a little longer than the LIFE magazine writers expected back in 1956!

The second in an EIN series looking at early, original magazine articles about Elvis Presley.
Go here to discover more & with some lovely rare photos..
(EIN Spotlight by Piers Beagley / Paul Gansky)


Spotlight "Elvis Presley: Sun's Newest Star": Printed in the US 'Cowboy Songs' June 1955 issue this was the first national magazine article about Elvis. 
The magazine was dedicated to "Hillbilly - Western Songs" and "Favorite Folktunes", country musicians Webb Pierce, Ferlin Husky and The Davis Sisters were all noted on the font cover - along with "Elvis Presley - A Dream Come True".
The article noted that, 'Elvis Presley 'Sun’s Newest Star' at 19 is already enjoying the first reality of life’s dream: to sing for people and hear the spontaneous applause that means he’s made a hit!'
It is interesting that despite the magazines focus on folktunes / country songs the article praises Elvis for his "authentic treatment of Rhythm and Blues songs".

The first in an EIN series looking at early, original magazine articles about Elvis Presley.
Go here to discover more..
(EIN Spotlight by Piers Beagley / Paul Gansky) 


Magazine Review -'Remembering Elvis... The King at 90': LIFE magazine commemorates Elvis' upcoming 90th birthday. It is described as:
“Celebrate the King of Rock 'n' Roll with this keepsake biography of Elvis Presley, lavishly illustrated with dozens of historic photos, including many from the archives of LIFE magazine.
“A detailed timeline traces Elvis's life from when he received his first guitar to his glory days filled with recording, acting, and gyrating for shrieking fans, to his great '68 comeback, and right up to his untimely death in 1977.
“Intimate photojournalism combines with insightful text to reveal Elvis behind the scenes: at Graceland and on the road, with Priscilla and Lisa Marie, in front of the cameras, and on the stage.
Explore the days of "Heartbreak Hotel," "Don't Be Cruel," "Blue Suede Shoes," "Jailhouse Rock," "Love Me Tender," "Blue Christmas" and so many other unforgettable hits.

Does the magazine add anything new to their previous "Remembering Elvis" publications?
EIN's Piers Beagley shelled out hard-earned cash hoping for something new, but sadly he was disappointed - Check out our review to find out why.
(Book Review, Source;ElvisInformationNetwork)


'The Elvis Files Vol. 1 1953-56' In Depth Book Review: The first volume of the Elvis Files story, chronicling Elvis' rise from his pre SUN discovery to becoming the world's biggest new sensation - nearly 600 pages & over 1,400 photos...
All ELVIS EVENTS in this Time Frame Period 1953-1956 are shown..
- Every Working Moment...
- The Early Tours
- Plenty of CANDID Moments.
- Elvis Interviews
- The TV Shows

There is an incredible impact to this book that can shock even the most blasé of Elvis fans who think they have seen it all before. The amazing amount of sensational images, interviews and informative articles gathered together within its 600 pages is stupefying.
Of all the books I have previously purchased about early Elvis none of them demonstrate the excitement and dynamic life of Elvis as well as this superb volume. No other series of Elvis photo-books comes close.

Click here to find out what it includes with lots of example pages, book extracts - plus great ELVIS photos
(Book Reviews, Source;EIN)


'Elvis Presley: The Searcher' EIN Spotlight: The 2018 HBO Documentary & SONY release
The three-hour, two-film presentation focuses on Elvis Presley the musical artist, taking the audience on a comprehensive creative journey from his childhood through the final 1976 Jungle Room recording sessions. The films include stunning atmospheric shots taken inside Graceland, Elvis’ iconic home, and feature more than 20 new, primary source interviews with session players, producers, engineers, directors and other artists who knew him or who were profoundly influenced by him.

In our extensive spotlight EIN tracks the publicity, interviews and the reviews...
Compiled by Piers Beagley

Go here for Everything You Need To Know

(Spotlight, Source;ElvisInformationNetwork)


"Baby, Let's Play House": Recorded at Sun Studios in February 1955, Presley’s historic rendition of "Baby, Let's Play House" reveals the comprehensive love for – and knowledge of – the blues. Compared to the Arthur Gunter original Elvis’s version is much more emphatic, playful, exuberant, tougher and scornful. The interplay between Bill Black’s thunderous bass-slapping, Elvis’s audacious, experimental vocal – he makes use of every trick in his rapidly expanding vocal repertoire – and Scotty Moore’s snarling rhythm guitar creates something that transcends such labels as country and blues.
“You may have a pink Cadillac but don’t you be nobody’s fool.” But who is Elvis singing to here?

In this EIN Spotlight respected author Paul Simpson takes a fascinating look at this Sun Studios Elvis classic..

(Spotlight, Source;PaulSimpson/ElvisInformationNetwork)


Did Elvis Record 'Tiger Man' At Sun?: A question that has puzzled Elvis fans through the years is whether he actually recorded the song ‘Tiger Man’ during his years at SUN studios.
The basic question is why did Elvis refer to 'Tiger man' several times in concert as “The second song that I ever recorded, not too many people heard it”?
And if Elvis DID record it, then why hasn’t any reference to it at SUN or proof of its existence been found?
Elvis would first perform ‘Tiger Man’ in concert at his first 1969 Las Vegas International season and would continue playing it through the years – usually in a medley with Mystery Train - until his last performance at Saginaw on May 3 1977. He would sing it over 150 times on stage!
The thought that there might be an acetate or undiscovered tape of Elvis at SUN singing ‘Tiger Man’ is a mouth-watering concept - but is it an unlikely fantasy or strong possibility?
Go here to our detailed 'TIGER MAN' spotlight as EIN's Piers Beagley puts in the hard yards to check the facts from the fantasy .
(Spotlight; Source;ElvisInfoNetwork)

'1956, Elvis Presley’s Pivotal Year': TIME magazine featured this recent article by SONY/FTD's music producer and consultant Roger Semon. The article helps explain to readers what the new deluxe box-set 'Young Man With The Big Beat' is all about.
... "In the mid-1950s, the post-war Eisenhower era of social conformity in America was at its peak, and musically, the most threatening image appeared to be Bill Haley’s kiss-curl as he sang “Rock Around The Clock.” That all changed on Jan. 28, 1956, when a raw and electric Elvis Presley made his breakthrough on the CBS program Stage Show. Presley’s good looks, sensuous moves and mesmerizing voice made him a sensation overnight. But it wasn’t until a third appearance on the show that Presley truly challenged the status quo. On Feb. 11, the singer performed “Heartbreak Hotel” and by April, the single would be #1 on the Billboard chart. At last, teenagers had music of their own to swoon over while their parents continued listening to Frank Sinatra and Mario Lanza....

Click HERE for the full article and fabulous Elvis Photos.
(Spotlight; Source;Time/ElvisInfoNet)






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Elvis Presley, Elvis and Graceland are trademarks of Elvis Presley Enterprises.
The Elvis Information Network has been running since 1986 and is an EPE officially recognised Elvis fan club.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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James Burton Interview - Rick Nelson & Elvis:
Elvis Drummer Jerome "Stump" Monroe EIN Interview:
Donnie Sumner Remembers his friend Sherrill Nielsen: 
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Ernst Jorgensen interview about 'The Complete Masters' and more:
D.J Fontana Interview - Elvis Week 2010 special: 
Red West Interview:- 2010 Elvis week special
Linda Thompson - Interview Special:
Dr. Nick talks to EIN
Larry Geller
Mac Davis
Roger Semon
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Wayne Jackson (Memphis Horns)
 
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Dark Side of the Colonel
 
Audio-Visual
Graceland cam
EPE's Multimedia Elvis Gallery
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Elvis Radio (ETA's)
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"Images in Concert" PhotoDatabase
Radio Interview: Vernon & Gladys Presley
Sanja's Elvis Week 2007 Photo Gallery
'EIN's Best of Elvis on YouTube'
The Music of Elvis Presley - Australian Radio Show
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Elvis Presley In Concert "downunder" 2006
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Graceland - The National Historic Landmark
How & where do I sell my Elvis collection?
Is Elvis the best selling artist?
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Marty's Musings
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Parkes Elvis Festival 2009 (Australia)
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Presleys In The Press
Sale of EPE (Archives)
6th Annual Elvis Website Survey
Spotlight on The King
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