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The
King and Hi-Fi (secrets of Elvis' record collection):
the June 2004 issue of Britain's excellent Record Collector
magazine featured a very interesting article about what
is in Elvis' personal record collection.
It
provides a great insight into Elvis' eclectic musical
interests with many titles sure to surprise fans. The
artists featured are a wide variety of names well known
to fans and many artists fans will not have heard of
before.
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The
collection comprises more than 2,000 items of which more than
1,000 are catalogued in the article.
Some
of the highlights (there are many more) include:
- Jingle
Bells by Bing Crosby & The Andrews Sisters is the earliest
released (1943) single in the collection
- the
collection includes significant numbers of R&B but remarkably
few seminal rock & roll releases. The large catalog of artists
included Johnny Ace, Ray Charles, Faye Adams, Joe Turner,
Little Walter and Ivory Joe Hunter
- similarly,
'white' gospel recordings are well represented by names
such as The Blackwood's, the Speer Family, The Statesmen,
the Higher Ground and the Brock Brothers, while 'black'
gospel hardly gets a look in, with only a handful of singles
and LPs by artists including the Soul Stirrers, Golden Gate
Quartet and the Rance Allen Group
- ballad
recordings by The Clovers, the Crickets, The Platters, the
Spiders, the Dominoes, Pat Boone and Glenn Miller/The Ink
Spots
- the
country music genre is well represented through recordings
by Jimmy Little, Bobbie Gentry, Eddy Arnold, Rita Coolidge,
Jim Reeves and Ray Price
- soul
recordings by Smokey Robinson, Etta James, Sam Cooke, Clyde
McPhatter and Ben E. King among many others
- records
by the Boston Symphony Orchestra and the Chicago Symphony
Orchestra
- choral
recordings by the Bethany First Church of the Nazarene and
the Mormon Tabernacle Choir
- movie
themes by Leonard Bernstein, Marty Gold and the Manhattan
Pops
- (then
contemporary rock sounds) The Allman Brothers Band , Free
and Mott The Hoople records
- (then
contemorary pop sounds) Jose Feliciano, Nilsson, Gilbert
O'Sullivan, Tom Jones, Englebert Humperdinck, Dionne Warwick
and Anne Murray
- collection
of speeches (In Search of Freedom) by Rev. Dr. Martin Luther
King
- Charles
Boyer's LP of spoken love songs (Where
Does Love Go)
- the
(symbolic single) I Can Make It With You by Jackie DeShannon
- several
comedy albums including The First Family by Robert Kennedy
impersonator, Vaughn Meader, and Laugh...Live from Jonathan
Winters
- Red
West's acetate of If Everyday Was Like Christmas (a festive
theme recurred throughout Elvis' large collection with dozens
of yuletide season titles)
The
list of artists Elvis listened to is particularly broad. Apart
from those mentioned above, others signifying an interesting
cross-section of the musical rainbow are: Marty Robbins, Frank
Sinatra, Brownie McGee, the Sunshine Sisters, Mac Davis, Rex
Allen Jr., the New York Philharmonic, J.J. Cale, Glen Campbell,
Bobby Bare, Bonnie Guitar, Wanda Jackson, Brenda Lee, The
Statesmen, Buck Owens, the North Cleveland Church of God,
The Supremes, Jackie Wilson, Johnny Cash, Harry Belafonte,
Dean Martin, Roy Hamilton, Adam Wade, Billy Vaughn, Della
Reese, Jerry Lee Lewis, Eddie Fontaine, Cliff Richard and
Carla Thomas.
The
authors (Steve Cairns and George R. White) found what they
termed as some "cringeworthy" releases:
- The
Andrews Sisters Greatest Hits
- Milton
Berle's Songs My Mother Loved
- Hilltoppers'
Present Tops In Pops
Other
interesting inclusions include releases by:
- Max
Bygraves Acker
Bilk
- Bert
Kaempfert
- Pat
Boone reads from the Holy Bible
- two
singles by The Partridge Family
- several
"well worn LP's by David Cassidy".
Of
special mention has to be Elvis' possession of "Ballads of
The King (Songs of Elvis Presley)" by the Johnny Mann Singers.
And
yes, for those of you wondering, Elvis' personal record collection
included several of his own releases. Titles found included
Elvis Is Back (reportedly well worn), Peace In The Valley
(EP), A Date With Elvis (LP) and Jailhouse Rock (45rpm). However,
Cairns and White state that it is "nothing like the full set".
The
author's research was based on items seen at Graceland, Paul
Simpson's book 'Rough Guide to Elvis', brief inventories published
in Q magazine and notes provided by Scotty Moore.
Verdict:
The King and Hi-Fi is a valuable new entry in our understanding
of Elvis Presley the person. Until EPE releases a definitive
catalog, The King and Hi-Fi is likely to stand as the most
comprehensive examination of what is a most interesting subject.
We recommend it to all serious Elvisphiles.
(Review,
Source: EIN, 3 August 2004)
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