'Elvis: June '75'

A 4CD digi-set 'Elvis June 1975' featuring soundboards of four shows from Mobile A/S June 2, Houston E/S June 5, Shreveport A/S June 7, and Jackson A/S June 8 1975. Disappointingly for collectors all the performances on this new FTD set have been out on bootleg before. However, with the barrel almost bare, there has to be plenty to enjoy in these mid-75 performances. After all, "This mid-1975 period was a positive return for Elvis. Elvis' good mood throughout is truly infectious and along with his well-sung and committed performances they all go to making these concerts worth listening to." Elvis soundboard super-collector Geoffrey McDonnell & EIN's Piers Beagley check out this new FTD set ...

Mid 1975 has always been a popular period with Elvis fans with Elvis back in fine form and having fun on stage. It was a positive comeback from the emotional roller-coaster of 1974 and before the slide of 1976.

The Dallas June 6th show was the first official soundboard release for fans, featured in the E.A.P silver box-set, while ‘Dixieland Rocks’ from the end of Elvis’ April tour in Murfreesboro was one of the first FTD concerts.

As a newspaper review commented at the start of the tour, "Elvis has shed 30 pounds of fat and is back on tour, almost as slim as swivel-hipped as ever - and definitely possessing the magic that drives female fans wild.
The new, streamlined Elvis kicked off his tour in Huntsville.. by the time he left town, there was a sizable casualty list - caused by the crush of fans going out of control.
Launching his summer 1975 tour, King Elvis generated several near riots as thousands showed up to see for themselves. ... All in all, it seems that The King is in his finest hour."

The new FTD set of four June 1975 performances was released in March 2025.

Elvis’ third tour of 1975 comprised of seventeen concerts starting with 5 performances in Huntsville and ending with his June 10 concert in Memphis.

FTD has already released five of these shows on Dixieland Delight, Another Saturday Night, Elvis: Spirit Of Jackson and Elvis: The Hometown Shows. Meanwhile the very first Elvis performance released after his death (not including the 1977 CBS show) was the Dallas, June 6 performance on the stunning ‘Elvis Aron Presley’ set back in 1980.

While there is no doubt at all that these mid-1975 performances were top-notch and it would have been FANTASTIC to have actually been there they were all very, very similar. Elvis hardly varied the set-list and once you have heard six of the concerts they begin to sound all very familiar. And there is little doubt that FTD would have released the best performances first.

In fact every performance on this new FTD set has previously been released on bootleg and also in OK soundboard quality, so I am certain that a large number of collectors will already own them.

Mobile A/S June 2 - 'Movin' Mobile' Madison
Houston E/S June 5 - 'Howdy Houston' A Lone Star
Shreveport A/S June 7 -'The Creeping Crud Express' Audionics
Jackson A/S June 8 - 'Fly... Trouble' Madison

When EIN reviewed the most recent June 1975 FTD release, Jackson, Mississippi June 9, 1975 back in 2016 we noted at the time..

“There is no doubt that while Elvis is focussed and energetic for this show I struggled to find any outstanding ‘highlights’! This is possibly due to the fact that this tour has been so well represented already on bootlegs and officially. It’s a fine concert, but of course the ‘creeping crud’ jokes and the show’s pacing sounds all too familiar.”

Having said that, with the barrel of unreleased Elvis performances almost empty and this mid-1975 period being such a positive period, with Elvis back on great form and with an interesting set-list, there is surely some real enjoyment to be found in this set.

The Package Presented as a five-panel foldout Digi-Pack it is a neat design with 34 photos of Elvis looking great in his various Phoenix jumpsuits. The front cover is from Elvis’ June 8 Afternoon Show in Jackson. The next inside photo is from Mobile 2 June A/S, while behind the discs we get two more from Mobile June 2 and two from Jackson June 8 A/S. On the inside covers are six more images of Elvis at the Mobile 2 June 1975 A/S, seven from Jackson June 8 and finally three from Houston Texas, and one from Shreveport. All of them show Elvis looking in great form, not tired and also looking happy and up for some fun. In fact, it’s a perfect representation of the soundboard recordings

The back page of the cd pack features the four tracklists but printed in rather annoying multiple colours - see below.

Audio Quality: The June soundboard mixes have always been very good. The sound has been mastered by Jan Eliasson and the quality on all 4 discs is fine and very consistent with some improvement over previous bootleg releases. Disc 3 sounds a little different than the previous release.
The audio is also improved over previous FTD versions, particularly ‘I’ll Remember You’ Mobile June 2 which was on ‘Another Saturday Night.’

FTD also previously released ‘You Gave Me A Mountain’ and ‘Trying To Get To You’ from the Houston June 5 show on ‘Southern Nights’ and RCA’s ‘Elvis Aron Presley’ set included ‘T.R.O.U.B.L.E’ also from the June 5 Houston show.

To be honest these soundboards were always in fine audio quality so the upgrade is not as major as on other Elvis FTD soundboard releases.

The setlists, very enjoyable indeed, are however basically identical. There are only three different songs included by Elvis at the four concerts, these being ‘I’ll Remember You’ (instead of How Great Thou Art) in Mobile plus ‘Trying to Get To You’ and ‘You Gave Me A Mountain’ in Houston (instead of Why Me Lord). And, as you can see, these have all been included in previous FTD releases.

Previous June 75 releases have also included edits from other shows to fill in the missing intros to the concerts. This set however only includes what was recorded and so they all start towards the end of ‘I Got A Woman / Amen’.

Looking closer at each performance.

Disc 1: Mobile, Alabama - Afternoon show, June 2, 1975 - r/t 57 minutes
‘I Got A Woman/Amen’ – tape cuts in at the end only but the audio-mix sounds fine. It’s a great mix of musicians, orchestra, backing-vocals as well as audience reactions.

Elvis introduces himself as Johnny Cash and since it is Monday afternoon he wonders how people got off work and out of school. “I’ve have never in my life done a show on a Monday afternoon!” he jokes noting that he will “do some songs that goes back as far as J.D’s age - but they didn’t have songs back then!”

Elvis is obviously in great humour and wide awake.

‘Love Me’ is regular with lots of crowd action and with Elvis making the backing-singers hold the final note. He then jokes “What’s next? I don’t know I just work here”.

‘If You Love Me (Let Me Know)’ is ‘ok’ with the typical J.D. Sumner ending.

‘Love Me Tender’ gets the usual deliberate short-false-start before the usual-kiss-the-girls routine including “On the cheek kid, you’re too young!”

The oldies All Shook Up, Teddy Bear / Don’t Be Cruel, Hound Dog are all completely routine crowd-pleasers.

At the beginning of ‘The Wonder of You’ “a song we did about 3 years ago” there is a cute moment when Elvis stops the band noting, “Just a minute, hold it. Old Chinese proverb say, ‘Cannot sing with water in mouth’!” Of course this is nowhere near the stunning 1970’s versions but it’s still a good addition with that lovely “Play it James” Burton guitar solo.

Elvis then announces Polk Salad but quickly changes to ‘Burning Love’, which also demonstrates that Elvis still had burnin’ love in his soul. An excellent ’75 version where, although he inevitably forgets some lyrics (& amusingly “la-la-las” them!), he still rocks out to a great ‘Hunka Hunka’ ending.

The usual Introductions follow with the regular solos plus a mostly instrumental ‘Johnny B. Goode.’ There’s an interesting moment when Elvis talks about his recent dream that VOICE didn’t come on stage last night and that Joe Guercio didn’t show up at all! He does however sing along to ‘School Day.’

Elvis as usual explains that he has a new record out ‘T-R-O-U-B-L-E’ and “it’s one of those songs that if you miss a word you might as well forget it.” Perhaps because it was an afternoon show this version is a bit of a pedestrian performance compared to later versions.

Next is “from the Aloha Special” is ‘I’ll Remember You’ and it is a nice addition to the show, lovingly and gently performed. Interestingly, while sung at every concert on the previous tour, Elvis would drop it from his set-list after his Mobile evening performance. Elvis would only ever perform it a handful of times in concert after this.

Elvis then asks J.D. Sumner & the Stamps to sing one of his favourite songs ‘Why Me Lord.’ It’s a nicely performed version even if Elvis does the usual joke high-voice teasing causing JD to break up laughing.

‘Let Me Be There’, with some nice chicken-pickin’ guitar and Elvis digging in, is a fan favourite and gets a deserved reprise.

‘An American Trilogy’ is performed seriously, apart from the usual Elvis remarks and this tour features the trumpet solo (rather than the more touching flute solo) and has a nice power-ending. It’s a fine performance and gets the ovation it deserves.

Elvis then asks for the house lights to be turned up and then a women rushes forward for loud kisses “one more, one more” causing Elvis to note “it’s a rough way to make a living!”

A regular kiss-the-girls ‘Funny How Time Slips Away’ follows including the cool JD slide-ending.

‘Little Darlin’ follows, it became a regular on this tour, and with Elvis’ cool falsetto it obviously delights the audience. Elvis jokes that “I have no idea what that songs says, I don’t know one word in it.”

Just as he starts to say goodbye he notices an audience request for ’Mystery Train / Tiger Man’ which is an excellent addition. It’s well done, Elvis puts some real energy into the song and it includes some nice chicken-pickin’ Burton guitar. This is interesting as Elvis had ignored this song the previous year and this Mobile concert was the very first time he performed in in 1975, after which it became a set-list regular again. All possibly due to the fan request of a person in this audience!

Elvis then says a quick “You’ve been a very good audience, until we see you again be careful going home and God Bless you.”

A routine ‘Can’t Help Falling In Love’ plus “Ladies & gentlemen Elvis has left the building” ends the tape.

Elvis would then have headed back to the hotel to prepare for the evening show.

This is a pretty good show, especially for an afternoon concert, with ‘I’ll Remember You’ being a nice addition. However it obviously doesn’t have the energy of previously released FTD concerts like ‘Another Saturday Night.’

When this was released in 2004 on a Madison bootleg EIN noted at the time, “If you own other June 1975 concerts then this can’t be an essential purchase”.

Note that at the Mobile evening show Elvis would perform ‘Bridge Over Troubled Water’ – a rarity in 1975 shows - which was included on the previous FTD ‘Southern Nights' compile.

Disc 2: Houston, Texas - Evening show, June 5, 1975 - r/t 58 minutes
Another very similar June 75 performance but being an Evening Show Elvis has more energy. The mix is fine and Elvis’ vocal quite prominent throughout. The fact that the RCA’s live release of T-R-O-U-B-L-E came from this show is a good sign.

Once again the recording starts at the very end of ‘I Got A Woman/Amen.’

Elvis definitely sounding a little “speedy” saying that he will do “a lot of songs old and new” and says the spotlights make him “as blind as a bat”.

‘Love Me’ is routine but ‘If You Love Me (Let Me Know)’ is well sung next and Elvis sounds enthusiastic.

Elvis talks (and stammers) about ‘T.T.W.I.I’ being on T.V that night and everyone on stage except The Stamps and Kathy were in that movie. “The rest of you weirdos were there!”

The crowd-pleaser oldies Love Me Tender, All Shook Up, Teddy Bear / Don’t Be Cruel are routine with the usual few words changes. The routine Hound Dog is performed with a little more energy than usual and the crowd loves it.

An average 75 ‘The Wonder Of You’ has a false start and the “constipation” lyric change and again the crowd explodes.

‘Burning Love’ is again very fine for 1975, a good audio mix and with Elvis packed full of energy. Listen to his “whoooooo” at 01:48 and extended ‘Hunka Hunka’ ending, he’s having a ball!

“Time out” as Elvis chats and kisses his loving audience members and mentions that “I caught the creeping crud last night and if I got it, you’re going to get it.”

The Introductions are a little tongue-tied (speed?) and he introduces The Stamps as being one of the finest gospel groups “in the nation and in some parts of U-bang-a-tang South Africa!” He then need to explain, “we laugh a lot because we are as silly as hell.”

The usual solos and brief Johnny B. Goode follow. During Glen Hardin’s piano solo Elvis pushes for more, “One more time, come on Jerry Lee.” VOICE are introduced noting “I found them in Nashville working under a truck.” Tonight Elvis positively joins in with ‘School Day’ “Go get it... take it up.”

In obvious good humour Elvis even thanks “My sound guys Bill Porter, Felton Jarvis and Bruce Deuce, whatever his name is!”

Elvis laughs that “I have a new record with a lot of words, which if I miss it, Charlie will pick it up”.

Rocking through T-R-O-U-B-L-E, with no lyric stumbles Elvis seem enthused even if it is not the best ever version. With a punchy “Say, hey” ending you can see why Joan Deary chose this for her 1975 concert compilation.

Once again Elvis responds to a request, “we haven’t done this in a long time” with ‘Trying To Get To You’ performed slower that in 1974 and with a lovely rolling-piano it is a very fine addition with Elvis putting in a real enthusiasm. Despite the crowd’s massive applause Elvis would strangely only return this song to his set-list as a regular at his much later December Las Vegas shows.

Elvis says he would like to do a Gospel song ‘How Great Thou Art’ which is, of course, a real concert highlight and with Elvis singing from his soul tonight gets a deserved reprise. “Yeah Lord, thank you” he notes.

Changing pace ‘Let Me Be There’ is lovely and upbeat if rather “shouted” by Elvis tonight.

Another rarity for this tour when Elvis then chooses ‘You Gave Me A Mountain’, the only time it was sung in the first three tours of 1975. Again it is performed at a slower, more delicate tempo, very similar to the early 1972 arrangement, and is very sincerely sung. Another highlight.

‘An American Trilogy’ has Elvis saying to the Stamps “you are in Dixie” and is a fine version with a little falsetto at the end. Getting a massive applause Elvis says, “You are a fantastic audience... You deserve a lot more than this…. ‘Little Darling #2’.”

‘Little Darlin’ is a regular fun version, with Elvis laughing and having fun with it all “Little Darlin’ I need you, by God” and a fun change of pace.

Elvis notes that the next song is “a heavy song” but it’s ‘Mystery Train / Tiger Man’ which is an OK version tonight and another crowd-pleaser.

Elvis as usual asks for the house-lights so he can see everyone. ‘Funny How Time Slips Away’ is the last song before the tape runs out and misses the reprise ending.

‘Can’t Help Falling In Love’ the last song was not recorded.

All in all this was a good show with Elvis in great humour and a powerful final half with both ‘You Gave Me A Mountain’ & ‘Trying to Get To You’ being good additions.

Disc 3: Shreveport, Louisiana - Afternoon show, June 7, 1975 - r/t 61 minutes
The very fine Shreveport Evening show ‘Another Saturday Night’ was released back in 2012 by FTD. Being the Afternoon show from the same day there can be no surprise that this show is pretty similar but with Elvis less committed. Elvis even notes, “I just got through eating.”

‘I Got A Woman / Amen’ again starts the soundboard and is ending only.

Elvis jokes, “My name is Johnny Cash” and complains to “Bruce Goose” about the audio feedback.

The soundboard audio mix however is very good with lots of audience appreciation. However the tape does have a few audio drop-outs on this show and notable cassette flutter.

‘Love Me’ is fine and you can truly hear the wild audience as he kisses the girls.

Once again we get the “I kissed someone last night and caught the creeping crud, if I got it you got it, if you want it.”

‘If You Love Me (Let Me Know)’ is upbeat.

‘Love Me Tender’ includes a LOT of audience interaction and Elvis also complaining about “Damn thorns, Ow!” in the flowers he was given.

Elvis is in a kissing mood but he notes, “Honey you wait a minute because you’re only about 6 years old and she is about 19 or 20, or 30 whatever!”

Then there is also a weird comment about “That was not a boy, you fool!” which Elvis repeats noting, “the spotlights blind me, it could be a rhino out there, I’d kiss it!”

The fifties oldies, as usual, are crowd-pleasers but all so routine they could come from any show.

Being in Shreveport Elvis asks, “James is this your hometown?” and notes “This song we did about 3 years ago”

‘The Wonder Of You’ is a better (no “constipation” joke) version tonight with Elvis harmonising delightfully with The Sweets during the break, very nice for 1975.

‘Burning Love’ is fast and driving, fine for an afternoon show.

Unusually Elvis asks for the house lights to be turned up before the Introductions so he can see everybody. He then gets given a portrait cake but hints that he is thinking of throwing it at someone! All the cake-bakers get a kiss.

The regular Introductions start after even more banter. James Burton, from Shreveport, plays ‘Johnny B. Goode’ after which Elvis then explains that “my first job was in Shreveport on the Louisiana Hayride when I was 19 years old.”
James says that he saw Elvis on the Hayride but that he started playing guitar aged 13, to which Elvis jokes, “smart Alec”.

This night the Guercio orchestra was conducted by Marty Harrell because “Joe got stuck in a rat-hole somewhere!”

After ‘School Day’ Elvis nicely notes that “I was given a certificate today to make me an honouree citizen of Shreveport, so I’d like to thank you for that”.

“We have a new record called ‘T-R-O-U-B-L-E’ which has a lot of words to it” and it is yet another decent version.

Elvis asks the Stamps to do ‘Why Me Lord’ which features the usual Elvis J.D. teasing asides.

A “serious gospel song” ‘How Great Thou Art’ follows, which again is very well sung and gets a lovely ovation.

‘Let Me Be There’ is as sprightly as usual and with a reprise.

‘An American Trilogy’ includes Elvis telling the Stamps that “you are in Dixieland, you Dodos” but is again a good version with lots of crowd appreciative screams.

Elvis says, “the next song is very serious” before the usual craziness of ‘Little Darlin’.’

Interestingly Elvis then asks how long since he’s been in Shreveport, “Is it three years, two years?” and is truly surprised when he finds out he has not played Shreveport at all in the 1970s. Amazingly Elvis had never played the city since his final appearance on the Louisiana Hayride back on December 15 1956!

Trying to recover Elvis says, “Anyway, it’s a pleasure to be here”

‘Mystery Train / Tiger Man’ is fast paced but the tape fades out before the ending.

While this is no doubt a fine afternoon performance it is probably the most ‘routine show’ of the set, especially when we know that Elvis would be in a better mood for the Saturday Night evening show.

Disc 4: Jackson, Mississippi - Afternoon show, June 8, 1975 - r/t 60 minutes
Previously released on bootleg as “Fly.. Trouble” you can imagine where this is going!
The sound, a fine mix as always, is also a good improvement on the Madison bootleg.

Elvis was popular with the Jackson crowds and he performed three shows there on this tour. In fact he had been there just the previous month May 5 1975 to perform a concert in aid of the McComb tornado victims.

‘I Got A Woman / Amen’, ending only, immediately features Elvis noting, “You can tell Joe Guercio is back as there are flies all over the place” before a slow J.D. dive-bomber ending. Luckily with no repeat.

Elvis introduces himself “Good afternoon my name is Johnny Cash” and is again in good humour, it was a Sunday afternoon and the crowd sounds lively.

‘Love Me’ features more comments about the damn flies and at the end he teases the backing-singers “How long can you hold that note?”

Once again as he kisses his fans Elvis announces that he caught "the creeping crud" the previous night in Shreveport noting, “I’m the southern distributor for the creeping crud” and “this is the type of show you do on a Sunday afternoon, just give out a lot of scarves and kiss people – Lord have mercy, I’m going straight to church after this!”

‘If You Love Me (Let Me Know)’ is well sung but includes Elvis asking for a fly-swatter mid-song!

There are yet more mentions of flies before a gentle kiss-the-girls ‘Love Me Tender’. The fifties oldies are routine and there’s no surprise that Elvis' fly trouble features once again.

Afterwards Elvis laughs, “You people paid all this money and drove all this way just to see us swat flies up here” and before a routine ‘Hound Dog’, “I ain’t got time to run around, I’m trying to get all these flies and flowers.”

Elvis was very talkative between almost every track and there’s a cute moment when he sees a fan who shows him a photo of him as a child in 6th grade.

Elvis notes, “Lord have mercy, I’m the only kid with overalls on. You see, I had dreams of becoming a big truck driver at the time - still do!” and jokes, “Wow, there’s been a lot of water under the bridge since then... in fact the bridge has washed away.”

At this point the tape cuts out to return as a late start to ‘The Wonder Of You’ while ‘Burning Love’ that follows although not the best June version, is still fine for an afternoon show.

The usual 7-minute ‘Introductions’ with band solos and ‘Johnny B Goode’ include yet more mentions of the flies and with Elvis noting that it was Kathy Westmoreland who came out earlier with the fly-swatter.

Elvis comments, “We have a new record out, I don’t know if we did it here the last time or not?” ........ ‘T-R-O-U-B-L-E’ is yet another fine version and played at a slighter slower tempo this afternoon.

A routine JD Sumner ‘Why Me Lord’ follows and then “a Gospel song we did a few years ago” ‘How Great Thou Art’ which is remarkable as after the usual well-earned reprise he gets asked to do it yet again by a delighted audience member, and performs a lovely second reprise. It’s a major concert highlight that demonstrates how much Elvis listened to his loving fans giving them what they wanted.

‘Let Me Be There’ is a fine change of pace before Elvis again chats to his fans before asking for the house lights to be turned up.

A charming ‘Funny How Time Slips Away’ includes Elvis mentioning, “Never know when I’ll be back in town… that’s tonight and tomorrow night!” and includes the usual “last-line” reprise featuring J.D. Sumner’s bass-ending.

An average ‘Little Darlin’’ and then a cool ‘Mystery Train / Tiger Man’ nearly wraps up the show.

Elvis is about to finish stating, “We have another show tonight...” when he notices fans requesting both ‘Fever’ and ‘Polk Salad Annie’.

Elvis decides to try ‘Fever’ even though he adds, “We haven’t done it in a long time” but the band start playing it in the wrong key and so Elvis gives up after two rather embarrassing false starts.

Obviously annoyed he says, “We’ll sing it tonight, you come back, and we’ll have it figured out… Take it home” ... and ‘Can’t Help Falling In Love’ closes the show.

EIN Note: The band hadn’t performed ‘Fever’ since October 1974 and despite his promise Elvis would not sing it that night, and in fact he didn’t sing it again in full until a one-off on December 8 in Las Vegas. ‘Fever’ would only re-join the set-list as a regular in May 1976.

Overall this was another good show albeit with far too much chatting and talk about those damn flies. The flies, however distracting, certainly make it a soundboard you won’t forget. The highlight was the ultra-rare double-reprise to ‘How Great Thou Art’.

Overall Verdict: There is no doubt that all these four June 1975 performances were decent shows proving that Elvis was in fine form at every show in mid-1975 and singing an interesting set-list. It would have been fabulous to have been a fan attending any one of these concerts. (see Christopher Brown's comments here about seeing Elvis in Shreveport that day).

These FTD versions have improved sound over the bootlegs and we can now appreciate the few ‘rarities’ in context. The Houston Evening Show is very enjoyable, while the Shreveport Afternoon Show is the most routine. This is a very consistent package sound-wise and Elvis is healthy and happy to be on stage at every show and full of energy.
There is however little doubt that Elvis’ best June 75 performances have already been released and his set-list hardly varied. So once you’ve listened to these newly released June performances several times I wonder just how much collectors will replay them in comparison to the previously released, more exciting, concerts from the same tour.

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'Elvis: Stateline SAHARA '74' FTD In-Depth Review: 'ELVIS: Stateline Sahara 1974 Lake Tahoe' released as a 3-CD 5” digi-pak features three previously unreleased performances from Elvis' third Lake Tahoe season - May 19 (Evening show), May 20 (Midnight show) and May 25 (Midnight show). Just two weeks before this Lake Tahoe season Elvis had been playing to audiences of over 18 thousand at the Los Angeles Forum, so it is understandable if Elvis sounds a little more on ‘cruise-control’ but being less O-T-T is also a positive in that they sound more intimate. FTD have already released three concerts from this Tahoe season plus five of the best tracks from this set. Go here as Elvis soundboard super-collector Geoffrey McDonnell & EIN's Piers Beagley investigate what fans may discover in these previously unheard performances (FTD Reviews, Source:GM/ElvisInfoNet)

'Elvis: Summer of '76' FTD In-depth Review: This new FTD set features three 1976 concerts, Charleston A/S July 24, Springfield E/S July 29 and Hampton Roads A/S August 1. Things started going terribly wrong for Elvis in 1976. The beauty and on-stage power that he still exuded the previous year was fast fading away. Elvis' third tour of 1976 was one of his worst. Starting just 10 days after Elvis fired Red, Sonny West and Dave Hebler he was not in a good way. Despite already releasing 27 concerts from this rather sad year, FTD have released yet another three 1976 performances and they are not good. Collectors of course will appreciate that FTD have included two previously unknown soundboards here and they do help us explore what state our hero was in for his 1976 summer. However Elvis was obviously not in a good way which makes them rather sad.... Elvis soundboard super-collector Geoffrey McDonnell along with EIN's Piers Beagley explore this new FTD 1976 triple- pack to see whether fans could learn anything new... (FTD Reviews, Source;GM/ElvisInformationNetwork)

'Elvis: From Louisiana and Memphis 1976' FTD In-depth Review: FTD continues their extensive look at Elvis' performances in 1976 with three July 1976 concerts. This is a FOUR CD 5” digi-pak, this set features three concerts, Shreveport Louisiana July 1, 1976, Baton Rouge, July 2, 1976 and Elvis' last home-town concert Mid-South Coliseum, Memphis July 5, 1976. FTD have already released two soundboards from this June-July 1976 tour but both the Louisiana concerts have never been released from soundboard before. By early 1976 Elvis’ set-list had become routine with few surprises along the way however this tour was one of the best for 1976 and for collectors the previously unreleased Shreveport July 1 1976 soundboard is a real bonus - and Elvis’ final show in Memphis should be in everyone’s collection. Elvis soundboard super-collector Geoffrey McDonnell along with EIN's Piers Beagley check out this new FTD 1976 triple-concert pack to see whether we can learn anything new... (FTD Reviews, Source;GM/ElvisInformationNetwork)

'Elvis: Pine Bluff to Madison '76' FTD In-depth Review: FTD continues their extensive look at Elvis' performances in 1976 with another two previously unreleased concerts. This set features two shows: Pine Bluff Convention Center, September 8, 1976 830pm and Dane County Coliseum, Madison, October 19, 1976 8.30pm. FTD have already released plenty of soundboards from these two tours including September 6, 1976 Afternoon and Evening shows ‘Elvis In Alabama: The Last Double Date’ and the day before Sioux Falls, Oct 18 (On The Road With Elvis CD2). By early 1976 Elvis’ set-list had become routine with few surprises along the way and while the Pine Bluff performance has the energy of the Closing show of the tour fans surely don't want to hear Elvis suggest that “we should rehearse more before we tour”! Elvis soundboard super-collector Geoffrey McDonnell and EIN's Piers Beagley check out this new FTD 1976 double-pack to see whether it is another essential release for your collection. (FTD Reviews, Source;GM/ElvisInformationNetwork)